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Jamie Hince and Alison Mosshart are back with another offering of their dark, blues infused minimalist rock, only this time they've injected a bit of pop nous into proceedings to quit brilliant effect. Having gained plaudits (and the odd celebrity girlfriend) following the release of second album 'Now Wow', the Anglo-American duo have managed to improve on that effort much in the same way that it was an improvement on their debut 'Keep On Your Mean Side'. With sleeker, sexier beats, and more dancefloor friendly rhythms, the Kills keep things tight and direct with many of the songs screeching to a halt before the three minute mark. Spank Rock's Alex Epson's influence is prominent, which is obvious considering he helped with the arrangements and production, as he twists the groups previously bleak and darkened sound into a sarcastic, fun, subtle groove. They still retain their menacing sound, only this time you feel that you're in with them as opposed to being the object of their scorn. Lead track U.R.A. Fever infuses hip-hop styled vocals between the pair, with a laid back groove that sets the album up as it means to go on. Hince's manic, obtuse guitar playing has been reigned in to provide concise riffs and melodies that act as a counterpoint to the hip-shaking beats and Mosshart's aloof vocals. Getting Down and Sour Cherry continue the inventive and poppy vibe and prove that the Kills do have a fun side to them.
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