HOME | RSS | MESSAGE BOARDS | SEARCH  

Contents
Album Reviews
Single Reviews
Gig Reviews
Interviews
Demo and self financed Reviews
News
Offers
Vented Spleen
 


TBA

 

unclesam.gif (3495 bytes)Calling all music fans based in the UK...  Do you want your views to be read by 5000 people a day? Contact soundsxp and become one of the contributors.
 


The Lodger: The Good Old Days (single)

Bon Iver: For Emma, Forever Ago (album)

Various Artists: Savage Pencil Presents: Lion Vs Dragon in Dub

The Manhattan Love Suicides: Cluster[FECK] EP

Hefner: The Fidelity Wars (2CD reissue)

The Raconteurs: Consolers of the Lonely (album)

Ladybug Transistor: Always On The Telephone (single)

The Wave Pictures: s/t (album)

Hefner, Watkins, Trout and Lee: s/t (album)

Shout Out Louds: Our Ill Wills (album)

Brian Jonestown Massacre: My Bloody Underground (album)

The Virgins: Rich Girls (single)

 

Contact Details:

Email: SoundsXP

Or post to:
SoundsXP,
30 Somerville Road,
London, SE20 7NA, UK

UK releases only.

Please note: If submitting demos or self financed releases - we currently have a backlog of such material. It could be some time before your item is reviewed.
 


stop the war.gif (2575 bytes)

 
------------------------
Web Pages referring to this page
Link to this page and get a link back!


 
 
 
Gig Review


Jim Noir
London, Borderline


Article written by Adam E
Jan 20, 2008.

Basically the Fast Show’s “Brilliant” guy with a guitar, Jim Noir’s hesitancy after a long break off the road didn’t get in the away of a charming (if slightly chaotic) show that suffered only for its extreme brevity. Previewing new material, it’s clear the chirpy Mancunian is still in thrall to the spectral harmonies of Brian Wilson, although the tendrils of classic 70’s rock have started to encroach upon his trademark psychedelic pop. Vocodered vocals add an intriguing new element to the mix and although by no means a revolutionary step forward, the new stuff does seem to vary enough to reinvigorate a formula that might have quickly gone stale. A few staples from the days of yore made welcome appearances (Eanie Meany, The Computer Song), but his reluctance to play My Patch was badly-judged, especially as his set clocked in at a paltry 35 minutes. More than a few audience members left the Borderline feeling short-changed, and given that he was doing so well up until then, you couldn’t help think he’d just snatched defeat from the jaws of victory.

Support The 586 also deserve a mention, if only because they straddled the line between brilliance and awfulness so precariously that I’m entirely unsure what to think of them. One part Man Man, one part The Specials, their garish, baroque synth-pop was irrepressibly energetic, impeccably delivered and often strikingly catchy, with the chemistry between vocalists Deborah Coughlin and Steve Horry palpable throughout. But there’s only so much self-aware eccentricity a man can take, and after thirty minutes of shrieking hysteria I’d more than had my fill. They’re essentially the Mighty Boosh in musical form- entertaining, but only in small doses.


Untitled Document What people are wittering about on the SoundsXP forums right now...



Spread the word: Email this article

© Copyright SoundsXP.com
Top of Page

 
 
Features


WINDMILL - Live


LONG BLONDES - Live


THE BEES - Interview


FANFARLO - Live


MGMT - Live


FOALS - Live


BISHOP ALLEN - Interview


MY SAD CAPTAIN - Interview