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Album Review
Andrew Bird Armchair Apocrypha Fargo
Article written by
Ged M - May 21, 2007
Armchair Apocrypha is Andrew Bird’s tenth album (seven studio, three live) and perhaps his most accessible. ‘The Mysterious Production of Eggs’ in 2005 was the breakthrough; the new record takes all the features that made that one so memorable – virtuoso violin playing, incredible whistling, jazz-inflected pop and inspired lyricism – and serves them up in an even more idiosyncratic mix. The record has huge swings from ‘Plasticities’, one of the catchiest songs he’s written, to the sweep of strings on ‘The Supine’ or the glitchy electronic shuffle of ‘Simple X’. Lyrically, it goes from a superstitious fear of air travel (‘Fiery Crash’) to the fall of ancient empires in Asia (‘Scythian Empires’), with its nod to the fall of modern ones: “their Halliburton attaché cases are useless”. ‘Darkmatter’ adds humour in its tale of life lived like a game of Operation while ‘Armchairs’ is the Romantic Poets set to violins and piano. Aside from Joanna Newsom, it’s on an Andrew Bird album alone that you encounter made up words like ‘spork’ and ‘scrumbled’, or the use of “settee” in song. And like Joanna, this is quirky but captivating pop music. I recommend you listen to the birdsong.